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Añadido: May 17, 2008

De: Revan0357

Duración: 6:15

The Beatles - What's The New Mary Jane (Take 4) Copyright - 1996 EMI Records Ltd. "What's the New Mary Jane" is a song written by John Lennon and performed by The Beatles. It was recorded in 1968 for the album The Beatles (aka "The White Album"), but never used. "What's the New Mary Jane" is similar to "Revolution 9" in many ways. 'Mary Jane' was recorded on 14 August 1968 during the recording sessions for the Beatles tenth album The Beatles (aka "The White Album"), with Lennon and George Harrison being the only band members playing on the track. Four takes were recorded with the final being marked as the best. It was later mixed in mono on 26 September with Glass Onion, Happiness Is a Warm Gun and I Will and on the 10 October before being added to the short list for the new album. However during the album's final mixing stage, it was dropped due to time constraints, bringing the album to around 30 songs. After the release of The Beatles Lennon was still adamant to see the song released. So on November 26, 1969, he and wife Yoko Ono recorded further overdubs with plans for it to be issued as a single by The Plastic Ono Band alongside another unreleased song at the time "You Know My Name (Look Up The Number)" (which was issued as the B-side of The Beatles' "Let It Be" single in 1970). But when the other Beatles heard of John's plans to release a Beatle track under his own band's name the single was pulled. After that, the song had finally been planned to be issued on the album Sessions in 1985, but the album was killed due to objections by the Beatles. The song was held off another 10 years, during which time it gained a certain aura of mystery. During this time, it could only be heard via bootlegs like Esher Demos, From Kinfauns to Chaos, Ultra Rare Trax Vol.5, and What A Shame, Mary Jane Had A Pain At The Party, which is an album that is solely dedicated to this song. A newly mixed version of the recording was finally officially released on the 1996 compilation Anthology 3. During an interview, Lennon commented on "What's The New Mary Jane", saying, "That was me, Yoko, and George sitting on the floor at EMI fooling around. Pretty good, huh?" Song Structure It has two verses and a chorus (which is repeated about 9 or 10 times throughout the song) and then about 4 or 5 minutes of avant garde sound effects. The track ends with a comment from Lennon: "Let's hear it, before we get taken awa[y]" before the tape ends abruptly. The only chords used in the song are: D, G, Gm, and A. Other Information Another belief is that the song was influenced by Syd Barrett, the early leader of Pink Floyd, who were recording at Abbey Road Studios at the same time as The Beatles in 1967. A long-standing legend states that Barrett actually appeared on and co-wrote the track, leading to the song's tenuous inclusion on many Pink Floyd bootlegs. However, nobody who was actually present at the recording has ever corroborated this. Also the phrase Mary Jane is generally considered to be slang for marijuana. Bob Dylan introduced The Beatles to marijuana (1964) in a New York hotel room when he offered the Fab Four pot as a consequence of his misconception that the lyrics in their hit song "I Want to Hold Your Hand" were "I get high" instead of "I can't hide". Other versions of this commonly-held myth have Dylan supplying The Beatles with Nembutal (pentobarbital), a yellow colored barbiturate pill called "yellow submarine" and "mother's little helper," which served as the inspiration for the Beatles' and Rolling Stones' songs of the same name. Lryics: She looks as an African queen, she eating twelve chapattis and cream, she tastes as Mongolian lamb, she coming from out of Bahran. What a shame Mary Jane had a pain at the party. What a shame Mary Jane. What a shame Mary Jane had a pain at the party. She like to be married with Yeti, he grooving such cooky spaghetti, she jumping as Mexican bean to make that her body more thin. What a shame Mary Jane had a pain at the party. What a shame Mary Jane. What a shame Mary Jane had a pain at the party. She catch Patagonian pancake with that one a gin party makes. She having all the ways good contacts, she making with Apple an contract. What a shame Mary Jane had a pain at the party. What a shame Mary Jane. What a shame Mary Jane had a pain at the party. All together now: What a shame Mary Jane had a pain at the party. What a shame Mary Jane. What a shame Mary Jane had a pain at the party. She looks as an African queen, she tastes as Mongolian lamb. What a shame Mary Jane had a pain at the party. What a shame Mary Jane. What a shame Mary Jane had a pain at the party. What a shame Mary Jane had a pain at the party. What a shame Mary Jane. What a shame Mary Jane had a pain at the party.

Categoría: Music

Tags: 1968  anthology  beatles  john  lennon  the 


Rating: 4.67 (9 ratings)    Visto: 2412' favoriteCount='8    Comentarios: 11

cleartonal Says:

May 29, 2008 - it sounz really similar to early floyd stuff.

DoctorPencilK Says:

May 29, 2008 - I love thier wird stuff.

Revan0357 Says:

May 29, 2008 - ME TOO!

KIDAmnesiacBends Says:

Jun 2, 2008 - probably because piper at the gates of dawn and sgt pepper were both being recorded at abbey road studios at the same time

killchiro Says:

Jun 6, 2008 - John was with the wrong type of producer. Martin thought he was open minded but it was just being "whacky or zany" to him, he didn't understand surrealism and more avant-garde types of expression which is what Lennon was naturally drawn to. Yoko was a good match for John but he needed somebody to push him and let him know that it was ok to go completely into surrealistic expressionism.

KCSpardue Says:

Jun 7, 2008 - this isnt on sgt pepper. is it an outake or something. i love the piper and barrett solo and this is cool.

SuperFlyTyler Says:

Jun 16, 2008 - I heard Syd snuck over and "influenced" this song and some other Beatles work. I'm wondering if there's any other songs that you know of that Syd may have influenced by the Beatles.

killchiro Says:

Jun 26, 2008 - I laugh at all the "Syd influenced John/Beatles" etc... Lennon had already recorded Strawberry Fields, Tomorrow Never Knows, She Said She Said, Rain up to the point when Syd recorded at their studio, so unless all the Beatles not just Paul frequented the early Floyd shows then it's all nonsense. It's definitely possible that they influenced them but it's not very well documented although Paul was an early open fan of their music. Lennon probably influence Barrett lol.

karljvogt Says:

Jul 22, 2008 - umm...how about getting your fact straight. purchase a copy of 'let's all make love in london tonight' made in ... wait for it...1966 and you will see floyd doing their floyd thing (around the time they were providing long improvs for an installation artist around london). john turns up at the gig with cynthia. john was always searching out the weird and wonderful. that's how he found yokohead. at one of her exhibitions (that became the optus theme LOL ... aussies would get that one)

karljvogt Says:

Jul 22, 2008 - i'm 99.9% certain SYD wrote the song, not the beatles. i think john was pretty amazed by syd and that's probably why he appears in the clip for 'jugband blues' playing the tuba. in biographies of john i've read he loved the bizarre with a passion, was a big goons fan (and probably edward lear, like me [owl and the pussycat, nonsense omnibus]). john had an aspect of lyrical biarrity but syd was the master. it took a master to write that tune and is typical of wordplay throughout his writing.

Revan0357 Says:

Jul 22, 2008 - That doesn't mean Syd wrote it. It was just Syd's influence that made John write it.

Revan0357 Says:

Jul 22, 2008 - This was recorded during the White Album sessions.

karljvogt Says:

Jul 22, 2008 - dude it was syd who wrote it. i used to have a recording of syd singing it with john and john kept tripping over the words. syd wrote the song. the style of writing is trademark syd. the dislocation of normal sentence composition is syd all over. john was stuck in 'straight' mode to a point. i am the walrus is a case in point. bizarre imagery but the physical structure is a straight arrow. syd's schizophrenia is manifest in this song.

Revan0357 Says:

Jul 22, 2008 - I WANT to hear this version. And there is NO credit giving to Syd anywhere, so how can you explain that?

karljvogt Says:

Jul 22, 2008 - a: what part of USED TO HAVE didn't you get? b: happens all the time dude. from what i understand 'the cruel sea' never credited 'john wayne's texas funeral' for their song 'better get a lawyer' which lifted the chorus from JWTF's 'texas jailcell' (cargo records 1989). believe what you want. i'll bet my fluffy ballbag syd wrote it.

Revan0357 Says:

Jul 22, 2008 - Oh, sorry missed that. I see what you mean, sounds lik a Syd Barrett song, but I belive John Lennon still wrote it cause it sounds like something John would make too. They shluld have made this together and made it a single, would have been great!